This film, The Great Happiness Space by Jake Clynell, was an intriguing, thought-provoking and sometimes disturbing glimpse into a culture that is, to most, unfamiliar if not unthinkable. It engages the audience in a no-holds-barred look at the Japanese male companionship trade, providing insight into reasons for why men become hosts as well as why women seek out their services. Question after question was raised in my mind not only about the lives of the men working at Osaka's Cafe Rakkyo but also about a culture in which this industry can exist and thrive. What are these women lacking in life that makes them shell out thousands of dollars just for amusement, entertainment and male company?
Many reviews and even the synopsis on the website, compare these male hosts to geisha, citing them as a contemporary male version of this ancient tradition, but I have to disagree. Geisha were well trained in a variety of art forms and provided dance and music in addition to their intelligent conversation to the men who paid to spend time in their presence. The male hosts at Rakkyo lack these talents and, instead, offer a different set of services and fill a very specific niche in a Japanese society that has an interesting relationship to sexuality and intimate relationships.
This is a movie to watch, not just to learn about the sex trade in Japan, but also to spark thoughts on why men and women both seek intimacy in its different forms within the service industry. Having lived in Japan and possessing an interest in gender and sexuality issues, I thought I knew what I was getting into when I pressed the play button, but this film introduced ideas and concepts that I shuddered at and could not stop thinking about for days.
See an edited version of this review on Netflix Amazon and IMDB.
Showing posts with label films. Show all posts
Showing posts with label films. Show all posts
Tuesday, February 19, 2008
Friday, February 1, 2008
Venus Boyz
Venus Boyz, a documentary film by Gabriel Baur, is all about the exploration and expression of masculinity by women. These individuals range from women who are primarily heterosexual and simply enjoy the power and entitlement they feel while wearing men's clothing and attitudes to women born as hermaphrodites who have, after years of classification as female, opted to explore their inner leanings towards masculinity and male-ness. This range of viewpoints was a key element of why Venus Boyz is a film worth watching.
Unlike their male drag counterparts (queens), drag kings don't have as may films that celebrate and explore why women sometimes feel the need to dress like men, although there are some. Other than Brandon Teena's story, which remains in the spotlight due to his traumatic death and Hillary Swank's portrayal of him in Boys Don't Cry, the individual tales of these female cross-dressers and trans-sexuals are often unheard. Venuz Boyz gives us a range of these stories and a chance to take a glimpse into the performer's lives both on and off stage. Although their tales are sometimes accompanied by kitschy performances, I felt like it was the less showy parts of the documentary that were really able to communicate to me some of the politics, problems and positives of cross-dressing and of exploring female masculinity.
I wouldn't recommend this documentary to everyone. Certainly, you have to be willing to listen with an open mind about these womens' experiences with the gender-biased world; but, for those who are interested in exploring how a group of women are working individually to redefine gender, this is a worthwhile film. Even though I had a very open mind going into the film and have a background in similar topics, I had no idea that the range of women who choose to cross dress was so diverse. I was also reassured to hear that many of the "protagonists" of the film have been able to find funding and support for their artistic explorations and expressions.
There is a reason that this film has won awards and been featured at major GLBTQ film festivals, and that it is because it offers an insight into a world not found in other films. And, if you have ever wondered about your own female masculinity, this film will likely offer you comfort and familiarity.
See slightly edited versions of this review on Amazon, Netflix, and IMDB.
Unlike their male drag counterparts (queens), drag kings don't have as may films that celebrate and explore why women sometimes feel the need to dress like men, although there are some. Other than Brandon Teena's story, which remains in the spotlight due to his traumatic death and Hillary Swank's portrayal of him in Boys Don't Cry, the individual tales of these female cross-dressers and trans-sexuals are often unheard. Venuz Boyz gives us a range of these stories and a chance to take a glimpse into the performer's lives both on and off stage. Although their tales are sometimes accompanied by kitschy performances, I felt like it was the less showy parts of the documentary that were really able to communicate to me some of the politics, problems and positives of cross-dressing and of exploring female masculinity.
I wouldn't recommend this documentary to everyone. Certainly, you have to be willing to listen with an open mind about these womens' experiences with the gender-biased world; but, for those who are interested in exploring how a group of women are working individually to redefine gender, this is a worthwhile film. Even though I had a very open mind going into the film and have a background in similar topics, I had no idea that the range of women who choose to cross dress was so diverse. I was also reassured to hear that many of the "protagonists" of the film have been able to find funding and support for their artistic explorations and expressions.
There is a reason that this film has won awards and been featured at major GLBTQ film festivals, and that it is because it offers an insight into a world not found in other films. And, if you have ever wondered about your own female masculinity, this film will likely offer you comfort and familiarity.
See slightly edited versions of this review on Amazon, Netflix, and IMDB.
Labels:
boyz,
drag,
films,
gender identification,
sexuality
Film Comments
Part of my independent study is dedicated to watching films, both documentary and fictional, that are able to contribute to my understanding of gender, the body, and sexuality. Originally, I had thought that my comments would be restricted to observations I would make either on this blog or in formal writing, but last night I started thinking about the whole point of my study. I'm interested in how contemporary women are working to remap the body and redefine female sexuality, but I am not completely sure whether I am content to sit on the side, watching and reporting what other women are doing. I am maintaining this blog in the attempt to reach people who are interested in similar issues, shooting my thoughts out into cyberspace where they may be helpful or useful to people searching for answers regarding any number of topics I may explore through my studies. I realized that if I am watching a film to find answers and am committed to reacting to it in writing, I might as well make sure that other people see those thoughts and comments. So, rather than only posting movie reviews and reflections here, I am also planning on contributing to various other forums including Amazon, IMDB, and maybe Netflix. I'm not really sure which of these spaces I will find to be the easiest to navigate, but I will play around with them a little bit until I really a routine that works. I will probably put the same comments in each place, but I know that there will be different formats and whatnot. So, stay tuned for updates on what I decide and the things I've been posting.
Wednesday, January 30, 2008
Intro Part I.
This blog, My Two Lips, was created as a reservoir for all of the written pieces and ideas produced as a part of my Spring 2008 independent study within the women's studies department at the College of William & Mary under the supervision of Professor Christy Burns.
I have recently been watching a lot of films, including Yesterday and Venus Boyz, and reading some books and poetry that are directly or indirectly related to the things I'm seeking to explore in my independent study and I realized that a lot of my initial thoughts were becoming lost as I sought time to sit down and write a more formal analysis.
I have still been toying with my ideas about the final product I want to result from my work, and while I still think that a scrapbook that contains formal work, images, reflections, and a significantly annotated bibliography is going to be extremely important, I wanted to ensure that I had a space in which to think "out loud" about my ongoing readings and projects wherever I was and regardless of what I was doing. To this end, I decided to create this blog as both an extension of my independent study as well as a resource from which I may later be able to pull ideas, information and even entire bits of text for my scrapbook.
The Internet has become such an important way through which to collect, link, and disseminate information and web logs are one of the quickest and easiest ways to produce a website where information and personal thoughts can be shared that this seemed like the right solution. All of the original work presented here is the sole and individual work of myself, Ashley Slaff, and is protected by copyright laws as such.
Thank you, again, for reading, participating and thinking. Please feel free to comment at your leisure. I'll be sure to keep you updated.
I have recently been watching a lot of films, including Yesterday and Venus Boyz, and reading some books and poetry that are directly or indirectly related to the things I'm seeking to explore in my independent study and I realized that a lot of my initial thoughts were becoming lost as I sought time to sit down and write a more formal analysis.
I have still been toying with my ideas about the final product I want to result from my work, and while I still think that a scrapbook that contains formal work, images, reflections, and a significantly annotated bibliography is going to be extremely important, I wanted to ensure that I had a space in which to think "out loud" about my ongoing readings and projects wherever I was and regardless of what I was doing. To this end, I decided to create this blog as both an extension of my independent study as well as a resource from which I may later be able to pull ideas, information and even entire bits of text for my scrapbook.
The Internet has become such an important way through which to collect, link, and disseminate information and web logs are one of the quickest and easiest ways to produce a website where information and personal thoughts can be shared that this seemed like the right solution. All of the original work presented here is the sole and individual work of myself, Ashley Slaff, and is protected by copyright laws as such.
Thank you, again, for reading, participating and thinking. Please feel free to comment at your leisure. I'll be sure to keep you updated.
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