Beginning to conclude

Haste suggests in Sexual Metaphors that feminism must work to re-inform the ideologies that shape our institutions in order to actually create change, and it is largely the input we get from various sources that shapes our ideologies--what we buy, who we vote for, what we believe. That makes it important to read/receive the best knowledge possible in order to allow for the ideal shaping of our ideologies. Now, when there is so much information in so many forms readily available, this can be an extremely challenging task.

When I started work on my independent study, I was challenged by the incredible number of resources out there, and the lack of helpful information when it came to selecting the best/most relevant. Part of this problem is that the best academic criticism is only really available in elite places--like inaccessible theory in databases and academic publications that can't benefit anyone without the time, discernment and support systems afforded only in specific situations (like being a college student). I could read on university websites or in JSTOR reviews and suggested lists about which books would be the most useful (which I did), but at the end of the day I had to order my books from somewhere else. On Amazon, the reviews and comments about all of these dense theoretical books and compilations of essays were spare and generally not very helpful.

Because of this, I greatly overshot on reading materials for the semester, and have had a hard time figuring out what comes first. I realized that there needed to be a space out there where someone really provided information on what theory/books to read and what movies to watch. One of the most meaningful ways to have my work this semester make an impact on the larger discipline of women's studies, especially since as an undergrad it is hard to get ones work into more traditional public (and academic) forums, was to post reviews of the sources I was consulting on very mainstream resources, like Amazon, imdb, and Netflix.

Originally I thought that the most important thing in electronic resources was to keep each topic focused on a separate weblog, but now I think that I need to have everything in one place, linked to my identity. So, I m rolling this site over into my larger, new Wordpress account. I am calling this site "Collection Plate." I am eventually going to ask the women's studies department, Reves Center, IR department, Monroe Scholars/Charles Center staff and maybe even the English department to link my site on their pages once I get it fully up and running. I would hope they would continue to keep it accessible at least while I am studying at Oxford next year where I think I'll be moving towards research in nonviolent methods for sustainable international development with a focus on women. I want to keep my new site live then and update regularly, and in the future work towards featuring sections on each of topics in which I am engaged along the course of my studies in and outside the classroom. I am planning to have several pages including freshman year; Kyoto, Japan: classwork and case study; mytwolips; my classwork in my masters program at Oxford; and my case study international peace work/research in Rwanda in 2009-2010.

The Great Happiness Space

This film, The Great Happiness Space by Jake Clynell, was an intriguing, thought-provoking and sometimes disturbing glimpse into a culture that is, to most, unfamiliar if not unthinkable. It engages the audience in a no-holds-barred look at the Japanese male companionship trade, providing insight into reasons for why men become hosts as well as why women seek out their services. Question after question was raised in my mind not only about the lives of the men working at Osaka's Cafe Rakkyo but also about a culture in which this industry can exist and thrive. What are these women lacking in life that makes them shell out thousands of dollars just for amusement, entertainment and male company?

Many reviews and even the synopsis on the website, compare these male hosts to geisha, citing them as a contemporary male version of this ancient tradition, but I have to disagree. Geisha were well trained in a variety of art forms and provided dance and music in addition to their intelligent conversation to the men who paid to spend time in their presence. The male hosts at Rakkyo lack these talents and, instead, offer a different set of services and fill a very specific niche in a Japanese society that has an interesting relationship to sexuality and intimate relationships.

This is a movie to watch, not just to learn about the sex trade in Japan, but also to spark thoughts on why men and women both seek intimacy in its different forms within the service industry. Having lived in Japan and possessing an interest in gender and sexuality issues, I thought I knew what I was getting into when I pressed the play button, but this film introduced ideas and concepts that I shuddered at and could not stop thinking about for days.

See an edited version of this review on Netflix Amazon and IMDB.